Gilmore Girls (200x-2016) (Gilmore Girls, 2000-2016) |
  |
  |
Rolle |
Darsteller |
Sprecher |
|
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[S2] |
|
|
|
  |
[S2-3] |
|
|
|
  |
[S2-3] |
|
|
|
  |
[S3-7] |
|
|
|
  |
[S4] |
|
|
|
  |
[S6-7] |
|
  |
|
wiederkehrend ab 1. Staffel |
  |
|
|
|
|
  |
[1x01] |
|
|
|
  |
[1x01] |
|
|
|
  |
[1x01] |
|
|
|
  |
[1x01] |
|
|
|
  |
[1x02] |
|
|
|
  |
[1x02] |
|
|
|
  |
[1x02] |
|
|
|
  |
[1x02] |
|
|
|
  |
[1x02] |
|
|
|
  |
[1x02] |
|
|
|
  |
[1x02] |
|
|
|
  |
[1x02] |
|
|
|
  |
[1x02/05] |
|
|
|
  |
[1x04] |
|
|
|
  |
[1x07] |
|
|
|
  |
[1x08] |
|
|
|
  |
[1x12] |
|
|
|
  |
[1x14] |
|
|
|
  |
[1x16] |
|
|
|
  |
[1x17] |
|
|
|
  |
[1x18] |
|
|
|
  |
[1x21] |
|
|
|
  |
[1x21] |
|
  |
|
wiederkehrend ab 2. Staffel |
  |
|
|
|
|
  |
[2x01] |
|
|
|
  |
[2x02] - [2x02 Olaf Reichmann] |
|
|
|
  |
[2x03] |
|
|
|
  |
[2x05] |
|
|
|
  |
[2x06] |
|
|
|
  |
[2x07] |
|
|
|
  |
[2x09] |
|
|
|
  |
[2x12] |
|
|
|
  |
[2x14] |
|
|
|
  |
[2x17] |
|
  |
|
wiederkehrend ab 3. Staffel |
  |
|
|
|
|
  |
[3x03] |
|
|
|
  |
[3x04] |
|
|
|
  |
[3x04] |
|
|
|
  |
[3x06] |
|
|
|
  |
[3x06] |
|
|
|
  |
[3x11] |
|
|
|
  |
[3x12] |
|
|
|
  |
[3x12] |
|
|
|
  |
[3x15] |
|
|
|
  |
[3x19] - [3x19-20 N. Forsberg, 4x04+5x05+18 K. Hasper] |
|
|
|
  |
[3x20] - [3x20 R. Fritzsche, 4x02 J. Andres, 4x06 M. Nichelmann?] |
|
  |
|
wiederkehrend ab 4. Staffel |
  |
|
|
|
|
  |
[4x02] |
|
|
|
  |
[4x02] |
|
|
|
  |
[4x03] |
|
|
|
  |
[4x03] - [4x03-06 Jan Andres, 4x10 Sven Plate] |
|
|
|
  |
[4x04] |
|
|
|
  |
[4x05] |
|
|
|
  |
[4x05] |
|
|
|
  |
[4x06] |
|
|
| [Hans Hohlbein/Helmut Krauss] |
|
  |
[4x06] |
|
|
|
  |
[4x08] |
|
|
|
  |
[4x09] |
|
|
|
  |
[4x12] |
|
|
|
  |
[4x13] |
|
|
|
  |
[4x13] |
|
|
|
  |
[4x13] |
|
|
|
  |
[4x19] |
|
  |
|
wiederkehrend ab 5. Staffel |
  |
|
|
|
|
  |
[5x03] |
|
|
|
  |
[5x03] |
|
|
|
  |
[5x03] |
|
|
|
  |
[5x03] |
|
|
|
  |
[5x04] |
|
|
|
  |
[5x07] |
|
|
|
  |
[5x15] |
|
|
|
  |
[5x15] |
|
|
|
  |
[5x19] |
|
|
|
  |
[5x19] |
|
|
|
  |
[5x20] |
|
|
|
  |
[5x20] |
|
  |
|
wiederkehrend ab 6. Staffel |
  |
|
|
|
|
  |
6x02 |
|
|
|
  |
[6x02] |
|
|
|
  |
[6x09 |
|
|
|
  |
[6x11] |
|
|
|
  |
[6x12] |
|
|
|
  |
[6x12] |
|
|
|
  |
[6x12] |
|
|
|
  |
[6x12] |
|
|
|
  |
[6x15] |
|
|
|
  |
[6x16] |
|
  |
|
wiederkehrend ab 7. Staffel |
  |
|
|
|
|
  |
[7x04] |
|
|
|
  |
[7x04] |
|
|
|
  |
[7x05] |
|
  |
|
wiederkehrend in "Ein neues Jahr" |
  |
|
|
|
|
  |
[8x01] |
|
|
|
|
  |
  |
|
  |
  |
1. Staffel (2000-2001): |
  |
|
|
  |
  |
1. [1x01] "Alles auf Anfang" ("Pilot") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
2. [1x02] "Ein klassischer Fehlstart" ("The Lorelais' First Day at Chilton") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Friseursalon-Empfangsdame | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Mann im Verwaltungsbüro (Stimme) | [13.43] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Kundin bei Luke #1 | [31.27] |
|
|
|
  |
|
Kundin bei Luke #2 | [31.28] |
|
|
|
  |
|
|
|
|
|
  |
  |
3. [1x03] "Familie mit Handicap" ("Kill Me Now") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Hotelgast/HG (Stimme) | [9.17] |
|
|
|
  |
|
Hotelgast/HG (Stimme) | [9.18] |
|
|
|
  |
|
Mann in Golfwagen "Tag, Richard!" | [18.56] |
|
|
|
  |
|
|
|
|
  |
|
Tanzende Frau auf Hochzeit | [36.39] |
|
|
|
  |
|
|
|
|
|
  |
  |
4. [1x04] "Mit Pauken und Trompeten" ("The Deer Hunters") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Schüler bei Tristin "Da ist sie" | [4.20] |
|
|
|
  |
|
TV-Sprecher (Stimme) | [7.30] |
|
|
|
  |
|
Mutter #3 (Stimme) | [15.06] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Hotelangestellte/HG | [30.12] |
|
|
|
  |
|
|
|
|
|
  |
  |
5. [1x05] "Katzenjammer" ("Cinnamon's Wake") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
TV-Sprecher (Stimme) | [2.36] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Mann auf Trauerfeier | [32.51] |
|
|
|
  |
|
|
|
|
|
  |
  |
6. [1x06] "Albtraum Geburtstag" ("Rory's Birthday Parties") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Kundin bei Luke #2 | [11.24] |
|
|
|
  |
|
Gäste im Hintergrund | [18.16] |
|
|
|
  |
|
Gäste im Hintergrund | [18.16] |
|
|
|
  |
|
Gäste im Hintergrund | [18.16] |
|
|
|
  |
|
Mädchen hinter der Broschürenfrau | [29.17] |
|
|
|
  |
|
Junge hinter Broschürenfrau | [27.19] |
|
|
|
  |
|
|
|
|
|
  |
  |
7. [1x07] "Ein Kuss mit Folgen" ("Kiss and Tell") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
in WILLY WONKA UND DIE SCHOKOLADENFABRIK (USA 1970) |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
8. [1x08] "Schneechaos" ("Love and War and Snow") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Mann bei Max' Auto | [16.21] |
|
|
|
  |
|
|
|
|
|
  |
  |
9. [1x09] "Kopfüber in die Nacht" ("Rory's Dance") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Phyllis Dietrichson (Stimme) | |
|
|
|
  |
in FRAU OHNE GEWISSEN (USA 1944) - ursprgl. Elisabeth Ried |
|
|
|
  |
in FRAU OHNE GEWISSEN (USA 1944) - ursprgl. E.W. Borchert |
|
|
|
  |
|
TV-Sportkommentator (Stimme) | [26.01] |
|
|
|
  |
|
|
|
|
|
  |
  |
10. [1x10] "Vergeben und vergessen" ("Forgiveness and Stuff") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
TV-Sportkommentator (Stimme) | [6.49] |
|
|
|
  |
|
Gast bei Luke "Ja" (Stimme) | [17.30] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
11. [1x11] "Kuss und Schluss" ("Paris is Burning") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Mutter in Menge (Stimme) | [25.59] |
|
|
|
  |
|
Vater in Menge (Stimme) | [26.02] |
|
|
|
  |
|
|
|
|
|
  |
  |
12. [1x12] "Doppelt hält besser" ("Double Date") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
13. [1x13] "Concertus Interruptus" ("Concert Interruptus") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Dean Forrester | [im Rückblick] |
|
|
|
  |
|
|
|
|
  |
|
Frau bei Trödel (Stimme) | [13.09] |
|
|
|
  |
|
Mann beim Trödel (Stimme) | [15.43] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
14. [1x14] "Küken-Alarm" ("That Damn Donna Reed") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme] |
|
|
|
  |
in "Mutter ist die Allerbeste" (hier genannt "Die Donna-Reed-Show") |
|
|
|
  |
in "Mutter ist die Allerbeste" (hier genannt "Die Donna-Reed-Show") |
|
|
|
  |
in "Mutter ist die Allerbeste" (hier genannt "Die Donna-Reed-Show") |
Telefonstimme Johnny | [34.27] |
|
|
|
  |
|
|
|
|
|
  |
  |
15. [1x15] "Sex mit dem Ex" ("Christopher Returns") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[wieder 1. Stimme] |
|
|
|
  |
|
|
|
|
|
  |
  |
16. [1x16] "Chaos der Gefühle" ("Star-Crossed Lovers and Other Strangers [Part 1]") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
17. [1x17] "Tal der Tränen" ("The Breakup [Part 2]") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
18. [1x18] "Die vierte Generation" ("The Third Lorelai") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
19. [1x19] "Zimmerservice" ("Emily in Wonderland") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
20. [1x20] "Drei magische Worte" ("P.S. I Lo...") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
21. [1x21] "Alte Liebe, neues Glück" ("Love, Daisies and Troubadours") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
|
  |
  |
2. Staffel (2001-2002): |
  |
|
|
  |
  |
22. [2x01] "Der Antrag" ("Sadie, Sadie") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
23. [2x02] "Nicht ohne meine Mutter" ("Hammers and Veils") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[1. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
Bauarbeiter "Hey, Achtung!" | |
|
|
|
  |
|
|
|
|
|
  |
  |
24. [2x03] "Kalte Füße" ("Red Light on the Wedding Night") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
in BILLy JACK (USA 1971) |
|
|
|
  |
in BILLy JACK (USA 1971) |
|
|
|
  |
in BILLy JACK (USA 1971) |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
25. [2x04] "Auf und davon" ("The Road Trip to Harvard") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Frau in Frühstückspension | |
|
|
|
  |
|
|
|
|
  |
|
Mann in Frühstückspension | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[1. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Radiosprecher (Stimme) | [1.21] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
26. [2x05] "Ein schwerer Fall" ("Nick & Nora / Sid & Nancy") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Schülerzeitungs-Schüler | [13.05] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
27. [2x06] "Emily in Nöten" ("Presenting Lorelai Gilmore") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Debütantinnen-Präsentatorin | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Interviewter Mann (Stimme) | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
28. [2x07] "Mutprobe" ("Like Mother, Like Daughter") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Nanny - Frau, die Paris abholt | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
29. [2x08] "Zukunftsträume" ("The Ins and Outs of Inns") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
30. [2x09] "Romeo und Julia" ("Run Away, Little Boy") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
31. [2x10] "Schlittenfahrt" ("The Bracebridge Dinner") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
32. [2x11] "Das Darlehen" ("Secrets and Loans") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
33. [2x12] "Vater-Tag" ("Richard in Stars Hollow") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
34. [2x13] "Picknick" ("A-Tisket, A-Tasket") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Bieter "Ja, fünfzehn" u.a. (Stimme) | |
|
|
|
  |
|
Bieter "Halt, ich biete 25" u.a. (Stimme) | [11.16] |
|
|
|
  |
|
Frau "Herzlichen Glückwunsch" | [11.24] |
|
|
|
  |
|
Mann mit Picknickkorb | [17.05] |
|
|
|
  |
|
Mann ohne Picknickkorb/HG | [17.24] |
|
|
|
  |
|
|
|
|
|
  |
  |
35. [2x14] "Schlechtes Timing" ("It Should've Been Lorelai") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
36. [2x15] "Trautes Heim, Stress allein" ("Lost and Found") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Mann im Hintergrund "Wir sehen uns dann nachher" | [11.17] |
|
|
|
  |
|
|
|
|
|
  |
  |
37. [2x16] "Rivalen" ("There's the Rub") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
38. [2x17] "Eine Hochzeit und ein Todesfall" ("Dead Uncles and Vegetables") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Mann vom Bestattungsinstitut | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
39. [2x18] "Auf ein Neues" ("Back in the Saddle Again") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[3. Stimme] |
|
|
|
  |
|
|
|
|
|
  |
  |
40. [2x19] "Nachhilfe" ("Teach Me Tonight") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Lautsprecherstimme im Krankenhaus | |
|
|
|
  |
|
|
|
|
|
  |
  |
41. [2x20] "Eine Frau für alle Fälle" ("Help Wanted") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
42. [2x21] "Ferngesteuert" ("Lorelai's Graduation Day") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Arbeiter/HG (Stimme) | [21.36] |
|
|
|
  |
|
|
|
|
|
  |
  |
43. [2x22] "Herzschmerz" ("I Can't Get Started") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
|
  |
  |
3. Staffel (2002-2003): |
  |
|
|
  |
  |
44. [3x01] "Schwere Entscheidungen" ("Those Lazy-Hazy-Crazy Days") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Kongressabgeordneter Doug Ose | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
45. [3x02] "Gebrochene Herzen" ("Haunted Leg") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Klassensprecher in Menge | [27.29] |
|
|
|
  |
|
Kirks Mutter (Stimme) | [30.09] |
|
|
|
  |
|
|
|
|
|
  |
  |
46. [3x03] "College Fieber" ("Application Anxiety") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[1. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
47. [3x04] "Jugendsünden" ("One's Got Class and the Other One Dyes") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
48. [3x05] "Ein verpatztes Date" ("Eight O'Clock at the Oasis") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
49. [3x06] "Faule Eier" ("Take the Deviled Eggs...") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Mann auf Versammlung (Stimme) | [3.14] |
|
|
|
  |
|
|
|
|
|
  |
  |
50. [3x07] "Tanzmarathon" ("They Shoot Gilmores, Don't They?") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Chemielehrerin Mrs. Savitt | |
|
|
|
  |
[2. Stimme] |
Lisa - Andrews Tanzpartnerin | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Arzt im Hintergrund | [15.58] |
|
|
|
  |
|
|
|
|
|
  |
  |
51. [3x08] "Mit List und Tücke" ("Let the Games Begin") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
52. [3x09] "Stress hoch vier" ("A Deep-Fried Korean Thanksgiving") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
in TV-Doku in "Grey Gardens" |
|
|
|
  |
in TV-Doku in "Grey Gardens" |
|
|
|
  |
|
|
|
|
|
  |
  |
53. [3x10] "Das Winterfest" ("That'll Do, Pig") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme - zuvor Bettina Schön] |
|
|
|
  |
[2. Stimme - zuvor Thomas Hailer] |
Mr. Covitt - Mathematiklehrer | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
54. [3x11] "Wahrheit oder Pflicht" ("I Solemnly Swear") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
55. [3x12] "Am Haken" ("Lorelai Out of Water") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Bauarbeiter (Stimme) | [3.18] |
|
|
|
  |
|
Bauarbeiter (Stimme) | [3.18] |
|
|
|
  |
|
Bauarbeiter (Stimme) | [3.18] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
56. [3x13] "Babyalarm!" ("Dear Emily and Richard") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Krankenschwester bei Lorelai #1 | |
|
|
|
  |
|
Krankenschwester bei Lorelai #2 | |
|
|
|
  |
|
Krankenschwester bei Sherry | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[Archivmaterial] |
|
|
|
  |
[Archivmaterial] |
|
|
|
  |
|
Lautsprecherstimme im Krankenhaus | [18.42] |
|
|
|
  |
|
Arzt im TV #1 (Stimme) | [34.12] |
|
|
|
  |
|
Arzt im TV #2 (Stimme) | [34.13] |
|
|
|
  |
|
Krankenschwester im TV (Stimme) | [34.25] |
|
|
|
  |
|
|
|
|
|
  |
  |
57. [3x14] "Blauäugig" ("Swan Song") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
TV-Nachrichtensprecher | [10.45] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
58. [3x15] "Auf glattem Eis" ("Face-Off") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
Markus Nichelmann |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
59. [3x16] "Aus der Traum" ("The Big One") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
60. [3x17] "In Schutt und Asche" ("A Tale of Poes and Fire") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Feuerwehrmann im Htgr. | [15.56] |
|
|
|
  |
|
|
|
|
  |
|
Martin, in TV-Soap (Stimme) | [23.05] |
|
|
|
  |
|
Amanda?, Frau in TV-Soap (Stimme) | [23.07] |
|
|
|
  |
|
Richard, in TV-Soap (Stimme) | |
|
|
|
  |
|
Bewerbungsleiter (Stimme) | [25.15] |
|
|
|
  |
|
Mann #3 in TV-Soap (Stimme) | [25.32] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
61. [3x18] "Das liebe Geld" ("Happy Birthday, Baby") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
62. [3x19] "Eine wilde Nacht" ("Keg! Max!") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
63. [3x20] "Erben gesucht" ("Say Goodnight, Gracie") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[1. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
TV-Sportkommentator (Stimme) | [17.39] |
|
|
|
  |
|
|
|
|
|
  |
  |
64. [3x21] "Vatertag" ("Here Comes the Son") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
65. [3x22] "Ein starker Abgang" ("Those Are Strings, Pinocchio") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Mrs. Fielding - Namensnennerin | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Mann im TV (Stimme) | [9.42] |
|
|
|
  |
|
Älterer Mann im Htgr. | [25.50] |
|
|
|
  |
|
Ältere Frau im Htgr. | [25.51] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
|
  |
  |
4. Staffel (2003-2004): |
  |
|
|
  |
  |
66. [4x01] "Überraschung" ("Ballrooms and Biscotti") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
67. [4x02] "Der erste Tag" ("The Lorelais' First Day at Yale") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
68. [4x03] "Partyservice" ("The Hobbit, the Sofa, and Digger Stiles") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[1. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[Archivaufnahme aus DER HERR DER RINGE] |
Samweis "Sam" Gamdschie (Stimme) | |
|
|
|
  |
[Archivaufnahme aus DER HERR RINGE] |
|
|
|
  |
[Archivaufnahme aus DER HERR DER RINGE] |
Gandalf der Graue (Stimme) | |
|
|
|
  |
[Archivaufnahme aus DER HERR DER RINGE] |
|
|
|
|
  |
  |
69. [4x04] "Alarm, Alarm!" ("Chicken or Beef?") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Schaltertyp im Htgr. | [13.19] |
|
|
|
  |
|
Frau bei Luke im Htgr. | [17.51] |
|
|
|
  |
|
Frau auf Versammlung | [22.09] |
|
|
|
  |
|
Mann auf Versammlung | [22.10] |
|
|
|
  |
|
Gutachter im Htgr. | [31.23] |
|
|
|
  |
|
|
|
|
|
  |
  |
70. [4x05] "Das war wohl nichts" ("The Fundamental Things Apply") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Wäschewaschstudent William | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Frühstücksrundenstudent #3 | |
|
|
|
  |
|
|
|
|
  |
[Archivmaterial aus CASABLANCA] |
|
|
|
  |
[Archivmaterial aus CASABLANCA] |
|
|
|
  |
[Archivmaterial aus CASABLANCA] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
71. [4x06] "Abserviert" ("An Affair to Remember") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Student mit Trucker-Magazin | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[1. Stimme] |
|
|
|
  |
[3. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
72. [4x07] "Still gestanden!" ("The Festival of Living Art") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
73. [4x08] "Neue Freunde, neue Feinde" ("Die, Jerk") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
Mitarbeiter im Htgr. | [13.13] |
|
|
|
  |
|
Studentin im Htgr. | [22.38] |
|
|
|
  |
|
|
|
|
  |
|
Mann im Theater (Stimme) | [38.41] |
|
|
|
  |
|
|
|
|
|
  |
  |
74. [4x09] "Kleine Geheimnisse" ("Ted Koppel's Big Night Out") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Taco-Bar-Angestellter (Stimme) | |
|
|
|
  |
|
Lautsprecherstimme im Supermarkt #1 | |
|
|
|
  |
|
Lautsprecherstimme im Supermarkt #2 | |
|
|
|
  |
|
Lautsprecherstimme im Supermarkt #3 | |
|
|
|
  |
|
|
|
|
|
  |
  |
75. [4x10] "Eine heimliche Affäre" ("The Nanny and the Professor") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
76. [4x11] "Der Glöckner von Stars Hollow" ("In the Clamor and the Clangor") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[3. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
77. [4x12] "Abgefahren" ("A Family Matter") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme] |
|
|
|
  |
|
TV-Nachrichtensprecher (Stimme) | |
|
|
|
  |
|
|
|
|
|
  |
  |
78. [4x13] "In Sachen Liebe" ("Nag Hammadi is Where They Found the Gnostic Gospels") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Autofahrerin (Stimme) | [3.36] |
|
|
|
  |
|
Autofahrer (Stimme) | [3.40] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
79. [4x14] "Land unter" ("The Incredible Sinking Lorelais") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[3. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Bauarbeiter im Htgr. (Stimme) | |
|
|
|
  |
|
Bauarbeiter im Htgr. (Stimme) | |
|
|
|
  |
|
Bauarbeiter im Htgr. (Stimme) | |
|
|
|
  |
|
Mr. Turner, erster Anrufer (Stimme) | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
80. [4x15] "Kaufrausch" ("Scene in a Mall") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Pennilyn Lott | [im Rückblick] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Bauarbeiter im Htgr. | [13.38] |
|
|
|
  |
|
Bauarbeiter im Htgr. | [15.50] |
|
|
|
  |
|
Mädchen #1 "Gehen wir was essen?" | [20.07] |
|
|
|
  |
|
Mädchen #2 "Ja, gute Idee!" | [20.08] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
81. [4x16] "Ein Trauerfall" ("The Reigning Lorelai") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Darcy - Krankenhausvorstand | |
|
|
|
  |
|
Jonson - Krankenhausvorstand | |
|
|
|
  |
|
Emma - Frau auf Trauerfeier | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
82. [4x17] "Partylaune" ("Girls in Bikinis, Boys Doin' the Twist") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
83. [4x18] "Ach du dickes Ei" ("Tick, Tick, Tick, Boom!") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[3. Stimme] |
|
|
|
  |
|
|
|
|
  |
[3. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
84. [4x19] "Ausgetrickst" ("Afterboom") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
85. [4x20] "Alles für die Katz" ("Luke Can See Her Face") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Bewohnerin (Stimme) | [18.48] |
|
|
|
  |
|
|
|
|
  |
|
Lautsprecherstimme im Krankenhaus | [22.14] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
86. [4x21] "Unter der Haube" ("Last Week Fights, This Week Tights") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[Sprache + Gesang] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
87. [4x22] "Das erste Mal" ("Raincoats and Recipes") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
|
  |
  |
5. Staffel (2004-2005): |
  |
|
|
  |
  |
88. [5x01] "Ohne Worte" ("Say Goodbye to Daisy Miller") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
89. [5x02] "Ein Brief mit Folgen" ("A Messenger, Nothing More") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Cider-Mill-Typ #2 (Stimme) | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
90. [5x03] "Der Kaffee danach" ("Written in the Stars") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
91. [5x04] "Wahlkampf" ("Tippecanoe and Taylor, Too") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Wahlleiter/Lautsprecherstimme | |
|
|
|
  |
|
|
|
|
|
  |
  |
92. [5x05] "Ein Date zu viert" ("We Got Us a Pippi Virgin!") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
in PIPPI LANGSTRUMPF |
|
|
|
  |
in PIPPI LANGSTRUMPF |
|
|
|
|
  |
  |
93. [5x06] "Tanz der Hormone" ("Norman Mailer, I'm Pregnant!") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
94. [5x07] "Sprung ins Ungewisse" ("You Jump, I Jump, Jack") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Mann #1 im Htgr. (Stimme) | [16.03] |
|
|
|
  |
|
Mann #2 Vance im Htgr. | [16.07] |
|
|
|
  |
|
Golfer im Hintergrund (Stimme) | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
95. [5x08] "Katerstimmung" ("The Party's Over") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
96. [5x09] "Auf Männerfang" ("Emily Says Hello") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
97. [5x10] "Die Ausreißerin" ("But Not as Cute as Pushkin") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme - zuvor Hans Hohlbein] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
98. [5x11] "Auf den Hund gekommen" ("Women of Questionable Morals") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
99. [5x12] "Süße Stunden" ("Come Home") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[Archivaufnahme] |
|
|
|
|
  |
  |
100. [5x13] "Hochzeit in Moll" ("Wedding Bell Blues") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Anson - auf Junggesellenparty | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
101. [5x14] "Wahltag" ("Say Something") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
in MEIN MANN GODFREY (1936) |
|
|
|
  |
in MEIN MANN GODFREY (1936) |
|
|
|
  |
in MEIN MANN GODFREY (1936) |
|
|
|
  |
in MEIN MANN GODFREY (1936) |
|
|
|
|
  |
  |
102. [5x15] "So ein Theater!" ("Jews and Chinese Food") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
103. [5x16] "Dicke Luft" ("So... Good Talk") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Joney - Kunde bei Luke #2 | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
104. [5x17] "Hin und weg" ("Pulp Friction") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
105. [5x18] "Der Traum vom Haus" ("To Live and Let Diorama") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Ezekiel Jebediah (Stimme) | |
|
|
|
  |
|
|
|
|
  |
|
Harriet Jebediah (Stimme) | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Moderner Familienvater (Stimme) | |
|
|
|
  |
|
Moderne Familienmutter (Stimme) | |
|
|
|
  |
|
Jimmy, moderner Familiensohn (Stimme) | |
|
|
|
  |
|
|
|
|
|
  |
  |
106. [5x19] "Der Küchenspion" ("But I'm a Gilmore") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
107. [5x20] "Das perfekte Paar" ("How Many Kropogs to Cape Cod?") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
108. [5x21] "Kurzschluss" ("Blame Booze and Melville") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Kundin bei Luke im Htgr. | [13.16] |
|
|
|
  |
|
Frau auf Gang im Htgr. | [18.21] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
109. [5x22] "Auszeit" ("A House is Not a Home") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
|
  |
  |
6. Staffel (2005-2006): |
  |
|
|
  |
  |
110. [6x01] "Funkstille" ("New and Improved Lorelai") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Radfahrer (erster) "Ich!" | [2.31] |
|
|
|
  |
|
Radfahrer (zweiter) "Ich Sir." | [2.33] |
|
|
|
  |
|
Radfahrer "Ich war nicht dritter" | [2.36] |
|
|
|
  |
|
|
|
|
|
  |
  |
111. [6x02] "Frisch gestrichen!" ("Fight Face") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Viech, das spricht (Stimme) | |
|
|
|
  |
|
|
|
|
|
  |
  |
112. [6x03] "Der Schokohund" ("The UnGraduate") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
113. [6x04] "Eiszeit" ("Always a Godmother, Never a God") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
in "Riding the Bus with My Sister" |
|
|
|
  |
in "Riding the Bus with My Sister" |
TV-Stimme Nachrichtensprecherin | [12.29] |
|
|
|
  |
|
TV-Stimme John Whitmer | [12.34] |
|
|
|
  |
|
|
|
|
  |
|
Verwandter mit Koffer | [17.43] |
|
|
|
  |
|
Verwandter (Stimme) | [17.48] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
114. [6x05] "Nachbeben" ("We've Got Magic to Do") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
115. [6x06] "Wahnsinn mit Methode" ("Welcome to the Doll House") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
116. [6x07] "Einundzwanzig" ("Twenty-One is the Loneliest Number") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
117. [6x08] "Freischwimmer" ("Let Me Hear Your Balalaikas Ringing Out") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
118. [6x09] "Die verlorene Tocher" ("The Prodigal Daughter Returns") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
119. [6x10] "Geldsegen" ("He's Slippin' 'Em Bread...Dig?") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
120. [6x11] "Das perfekte Brautkleid" ("The Perfect Dress") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
121. [6x12] "Hochzeitsstress" ("Just Like Gwen and Gavin") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
122. [6x13] "Ein fast perfektes Dinner" ("Friday Night's Alright for Fighting") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[1. Stimme] |
|
|
|
  |
|
Junger Mann "Keine Ahnung" | [6.19] |
|
|
|
  |
|
|
|
|
  |
|
Stimme bei Kirks Kaffeeverkauf | |
|
|
|
  |
|
|
|
|
|
  |
  |
123. [6x14] "Hausverbot" ("You've Been Gilmored") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme] |
|
|
|
|
  |
  |
124. [6x15] "Reif für die Insel" ("A Vineyard Valentine") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
125. [6x16] "Versumpft" ("Bridesmaids Revisited") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Sofia - Hochzeitsplanerin | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
126. [6x17] "Mit Sack und Pack" ("I'm OK, You're OK") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Französische Navigationssystemstimme | [14.26] |
|
|
|
  |
|
Navigationssystemstimme | [15.42] |
|
|
|
  |
|
|
|
|
|
  |
  |
127. [6x18] "Rache ist süß" ("The Real Paul Anka") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[2. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
128. [6x19] "Trinkfest" ("I Get a Sidekick Out of You") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
129. [6x20] "Letzte Rettung" ("Super Cool Party People") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
130. [6x21] "Verpflegt noch mal" ("Driving Miss Gilmore") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Gast an Rezeption "Danke auch." | [16.22] |
|
|
|
  |
|
Mann in Bar/Gemurmel | [24.30] |
|
|
|
  |
|
Mann in Bar #1 "Hi!" | [24.34] |
|
|
|
  |
|
Mann in Bar #2 "Hallo!" | [24.30] |
|
|
|
  |
|
|
|
|
|
  |
  |
131. [6x22] "Ganz oder gar nicht" ("Partings") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[3. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
|
  |
  |
7. Staffel (2006-2007): |
  |
|
|
  |
  |
132. [7x01] "Abgeschossen" ("The Long Morrow") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
133. [7x02] "Scherbenhaufen" ("That's What You Get, Folks, for Makin' Whoopee") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
134. [7x03] "Knigge-Girls" ("Lorelai's First Cotillion") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
135. [7x04] "Rein platonisch" ("'S Wonderful, 'S Marvelous") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
136. [7x05] "Vergurkt noch mal!" ("The Great Stink") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
137. [7x06] "Essen macht fertig" ("Go, Bulldogs!") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
[3. Stimme] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
138. [7x07] "Stadt der Liebe" ("French Twist") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
139. [7x08] "Ausgewohnt" ("Introducing Lorelai Planetarium") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
C. K. Dexter Haven | [39.58] |
|
|
|
  |
in DIE NACHT VOR DER HOCHZEIT (1940) |
|
|
|
  |
in DIE NACHT VOR DER HOCHZEIT (1940) |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Lautsprecherstimme im Krankenhaus | [31.18] |
|
|
|
  |
|
TV-Dokusprecher (Stimme) | [39.36] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
140. [7x09] "Verstrickt" ("Knit, People, Knit!") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
141. [7x10] "Kindersegen" ("Merry Fisticuffs") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Kundin bei Luke im Htgr. | [4.53] |
|
|
|
  |
|
|
|
|
|
  |
  |
142. [7x11] "Zwischen den Jahren" ("Santa's Secret Stuff") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Passantin "Werden das--?" | [17.26] |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
143. [7x12] "Mister Sorglos" ("To Whom It May Concern") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
144. [7x13] "Am offenen Herzen" ("I'd Rather Be in Philadelphia") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
145. [7x14] "Tierisch traurig" ("Farewell, My Pet") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
146. [7x15] "Im Rausch vereint" ("I'm a Kayak, Hear Me Roar") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
147. [7x16] "Schiff ahoi!" ("Will You Be My Lorelai Gilmore?") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
TV-Sportkommentator (Stimme) | [25.37] |
|
|
|
  |
|
|
|
|
|
  |
  |
148. [7x17] "Drei und keine zuviel" ("Gilmore Girls Only") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Ältere Garderobehelferin | [24.23] |
|
|
|
  |
|
Bowlerin "Hallo Mädels" | [26.52] |
|
|
|
  |
|
Frau in "Das Streben nach Glück" (Stimme) | |
|
|
|
  |
|
|
|
|
|
  |
  |
149. [7x18] "Das Frühlingslabyrinth" ("Hay Bale Maze") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
150. [7x19] "Ausgebremst" ("It's Just Like Riding a Bike") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
151. [7x20] "Für immer?" ("Lorelai? Lorelai?") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
in "Das Haus auf dem Geisterhügel - in Originalsynchro |
|
|
|
|
  |
  |
152. [7x21] "Die Abschlussfeier" ("Unto the Breach") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
153. [7x22] "Die letzte Klappe" ("Bon Voyage") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
|
  |
  |
8. Staffel (2016) "Gilmore Girls: Ein neues Jahr" ("Gilmore Girls: A Year in the Life"): |
  |
|
|
  |
  |
154. [8x01] "Winter" ("Winter") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
auch in Rückblenden |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Grant , der Straßensänger | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
Archivaufnahme - ursprgl. Jürgen Thormann |
|
|
|
  |
Archivaufnahme - ursprgl. Anke Reitzenstein |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
155. [8x02] "Frühling" ("Spring") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
156. [8x03] "Sommer" ("Summer") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
Ellen - Um-die-30er-Mutter | |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
|
  |
  |
157. [8x04] "Herbst" ("Fall") |
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
auch in Rückblende |
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
|
|
|
|
  |
Archivmaterial - ursprgl. Jürgen Thormann |
|
|
|
  |
|
|
|
|
  |
|